Folk Session: Shap and Etiquette

A couple of nights ago I was invited to a folk session in someone’s house. The guests were invited and most of them were from south Cumbria, but the musicians were excellent, mainly irish music was played, with me adding a couple on the Northumbrian Smallpipes and English concertina. A harpist was there and flute players, a tenor banjo and mandolin player, bodhran, another concertina player and the rest were fiddles.
The house was tucked away nearly out of the village and it was an old house filled with old cooking antiques. The atmosphere was congenial and the food that was made was lovely.
The type of irish music was traditional, not celtic.
the tempo was steady, there was a mixture of jigs, reels, slow airs, hornpipes, Gaelic singing, and some Northumbrian music as well as a German song.
A celtic session would be jigs and reels and very little else.
also the etiquette of the session was respectful, if you talked (and not many did) while someone was playing it was in whispers so not in block out the music. there were gaps between melodies, or if a set was played there was a gap after a set. people listened, people danced, please did not talk over the music. there was a respect…

it has been a long time I felt at home in a session. I have become very frustrated, angry and negative about the “Irish folk sessions” I prefer to go to other session and avoid the irish/celtic style, in spain and UK. I ended up avoiding them all together, but I felt at home there, I felt I was not the only one who felt this way too.

I could finally hear myself play, something I have not done in a session for years.

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Folk Sessions: Monkhill, Tebay, Newcastleton

I have been attending a few sessions before Christmas. They happened on the Sunday the 20th, Monday the 21st and Tuesday the 22nd of December, last week.

Monkhill Session
The first was a session at Monkhill, just outside of Carlisle. Besides the normal session it was well attended with holiday makers and also because there was a charity event to get some cash together for the flood victims in Carlisle. We had a list of tunes (I never knew we had so many!!) and people could ask for a tune to be played and they would donate some money towards the flood victims. There was a good atmosphere and we played an assortment of melodies and songs. The instruments were: a guitar/vocals, fiddle/vocal, 2 English concertinas, bodhran, guitar/vocals, and ukulele.
Afterwards I cycled to the boat at 12 midnight to check on her and bail any water out. I got home about 2.30am. There had been a lot of rain and some of the back roads were underwater I had to get off my bike and walk around it. It is difficult to see in the dark without a moon, the light of the bike lamp makes seeing worse, it is best to knock off the lights.

Tebay Session
The next session was just outside of Tebay near to Kendal. It was a birthday party in a village hall. Lots of musicians were there playing violins, cellos, accordions, etc. they were part of the Lakeland Fiddlers, a group of musicians who meet in the Brewery, in Staton. There was a nice mix of folk songs, carols, instrumentals, and nice food.

Newcastleton Session
The final session was at Newcastleton in the Scottish Borders. It had been a while since I was there and they have moved upstairs in The Grapes Hotel for the session. Attended by singers, an accordion, 2 guitarists and singers, bodhran, English concertina and Spanish gaita. This session happens on the 3rd Tuesday of the month.

Bowness-on-Solway Folk Session – and Full Bilges !

It was a wet night that I went down to the folk session at Bowness-on-Solway. I packed my concertina into a big black bag and cycled the 12 miles along waterlogged country roads. The weather in Cumbria has been particular wet these day (if oyu have been keeping an eye on the news you will have seen the flooding). I expected a bit of flooding on the roads so I was prepared to slow down and judge the situation, but as there was no moon and it was very dark I could not see the pieces of road that was underwater…the section of road which I was not prepared for.

Getting to the session I was a little late as I had to make a call in to see Sadaf. She has been sitting on her keels for 7 weeks and had been checked only a few times. She was ok, and has been ok amazingly over the weeks with all the flooding and rain. She leaks water above the sea-line from an unknown spot, it is rainwater and generally there is a trickle in the bilges, but because of the amount of rain we have had she has been full.

When i got there she was full too. I was surprised to see how much water had gotten into the bilges. It was not up to the cushions, but up to the floorboards. The only difference I could see that could account for the increase in water, was the front cover/plastic had blown off and rain was getting in from the fore section…I do not know from where?

Bailing her out took some time, each section had about 2 big buckets of rainwater to sponge out, and there was 5 sections. The area underneath the cockpit was dry! So I am thinking the leak is towards the front of the cabin. I will have to make some checks.

The Bowness folk session begins at 8.30pm and I just got there in time, the musicians were there and the pub was nice and warm to dry my coat. It is nice and relaxed, playing a mixture of southern English, Northumbrian, Scottish and locally penned songs/tunes. The songs are dominant and the guy who writes them was getting good responses to his humor. Besides the local musicians a guy called Steve came with his guitar to sing: and some tunes were played from the Playford’s manuscript.

The session ends roughly when they sing the “Haaf Netters Song” with audience participation, is has become a bit of a ritual there.

The session ended about 11pm.

Then the long cycle home, with the rain in my eyes, somewhere along the route I got a puncture, but the tired stayed up enough to get me home. I could hear the roar from the sea as it raced into the estuary.

Re-Sealing Bagpipe Bags

I have had a leaking gaita bag for some time, I could still play it but it was not holding the pressure after sometime. Perhaps the stitch was being stretched and the air was escaping through the stitching (the bag material was airtight). It was an old bag I made, and I have changed my technique since then for making.

Today I undid the stitching of my bag, took off the strip of tape that I had around the edge which was used for decoration, and cleaned up the loose threads. I then started the process of sealing the bag with a waterproof/gutter sealant. I did this to both sections of the bag, leaving an unsealed section/trip around the edge of the bag. I put extra sealant around the drone stock holes. Once I had sealed all the bag I went and covered the edge of the bag using a thicker film of sealant, then I left it to dry over night.

Tomorrow I will silicone the edges of the bag again with the same sealant and press them together, then leave to dry.

Once dry I will sew the edges with thread.

I will then glue one side of the bag/edge and reconnect the tape that I removed earlier. This gluing is only to seal the stitching/holes. When that is dry, I will do the same to the other side. Once dry I will tie in the stocks.

New Design for Drone

I have been playing my C gaita recently and I decided to make a small drone to go with it. I did not want to make the large C drone that normal go with a C gaita, but something I can carry around and make drone while I practice. I drilled though a piece of Bubinga wood and made 2 half from the one piece, 50cm each length. internal bore was 6mm. then I began designing the top sliding part. the internal diameter was 12mm. and I played around with the design.

The bottom standing part has an outside diameter of 12mm. the overall outside diameter of both pieces was 15mm.
The design for the bottom standing part was an idea I have been had for sometime and I wanted to try it out. if it did not work it could always be used for a chair leg!!

When I make the reed I will cover it in a removable stock and this will be inserted into a drone stock in the bag. It plays in C and I will make different sections for the top/movable part so I can play in D and Bb. I was gonna drill holes further up the drone but I decided to make new sections. This will add to the tembre of the sound.

I also intend to make a middle section to this C drone until I have a bass C playing alongside this tenor C. with 2 drones going it will be nicer for the gaita chanter which can be quite shrill. I have been thinning down the reed and now it plays a lot quieter than normal, this is for use indoors (pub setting).