I have had a leaking gaita bag for some time, I could still play it but it was not holding the pressure after sometime. Perhaps the stitch was being stretched and the air was escaping through the stitching (the bag material was airtight). It was an old bag I made, and I have changed my technique since then for making.
Today I undid the stitching of my bag, took off the strip of tape that I had around the edge which was used for decoration, and cleaned up the loose threads. I then started the process of sealing the bag with a waterproof/gutter sealant. I did this to both sections of the bag, leaving an unsealed section/trip around the edge of the bag. I put extra sealant around the drone stock holes. Once I had sealed all the bag I went and covered the edge of the bag using a thicker film of sealant, then I left it to dry over night.
Tomorrow I will silicone the edges of the bag again with the same sealant and press them together, then leave to dry.
Once dry I will sew the edges with thread.
I will then glue one side of the bag/edge and reconnect the tape that I removed earlier. This gluing is only to seal the stitching/holes. When that is dry, I will do the same to the other side. Once dry I will tie in the stocks.
I have been playing my C gaita recently and I decided to make a small drone to go with it. I did not want to make the large C drone that normal go with a C gaita, but something I can carry around and make drone while I practice. I drilled though a piece of Bubinga wood and made 2 half from the one piece, 50cm each length. internal bore was 6mm. then I began designing the top sliding part. the internal diameter was 12mm. and I played around with the design.
The bottom standing part has an outside diameter of 12mm. the overall outside diameter of both pieces was 15mm.
The design for the bottom standing part was an idea I have been had for sometime and I wanted to try it out. if it did not work it could always be used for a chair leg!!
When I make the reed I will cover it in a removable stock and this will be inserted into a drone stock in the bag. It plays in C and I will make different sections for the top/movable part so I can play in D and Bb. I was gonna drill holes further up the drone but I decided to make new sections. This will add to the tembre of the sound.
I also intend to make a middle section to this C drone until I have a bass C playing alongside this tenor C. with 2 drones going it will be nicer for the gaita chanter which can be quite shrill. I have been thinning down the reed and now it plays a lot quieter than normal, this is for use indoors (pub setting).
I completed 2 drone stocks for my “workshop pipes” (2 drone holes are drilled at the top of the stock).
If you need to take the drones out of the stock the top part of the stock is removable, the drones stay still and the drone reeds are protected, the bottom stock is fixed snug into the bag via the grove.
The drone stock (lying down) has a smaller hole drilled into its bottom end for air to pass through, this reduces the size of the air hole to stop any drone reeds falling out of the drone seat into the bag; if this happens the top part is removed and the reeds retrieved.
The bellows are finally taking shape to what I imagined. They have studs around the edges for cosmetic purposes, the bellow’s fabric matches the fabric of the bag (different fabric can be sort to the buyers choice).
The shape of the bellows were sourced from a Musette’s bellow I had seen in the National School of Piping’s museum in Glasgow, I thought the design was unusual yet attractive.
The straps have a quick release and adjustable clasp. The bellows have a hinge attachment inside of the cheeks this gives a solid connection. The bellows are completely airtight, they are large enough for NSP and SSP as well as Border Pipes, as they are large less action is needed to inflate the bag.
Although the chanter and drones are still under design, the bag and bellows are beginning to be finalized.
The Small pipe workshop went really well last Saturday in Hexham (Northumbria). The students engaged with the exercises very well and I think got a lot out of it…well I know they did. I got good feedback from them and the boss of Core Music, who ran the event. I would like to do more events there, and do a follow up workshop for the Small pipes, as I feel the students wanted to go further with their playing. They managed to get a regular bellow technique; they got 2 drones in harmony and the beginnings of a steady chanter note, not bad for 3 hours. Northumbrian/closed fingering was popular; I guess Scottish Small pipe fingering is more popular over the border. If lessons could be held regular then I feel they could advance quickly.
There are 7 completed Small pipes for the Newcastleton Folk Festival. I have covered most of the bellows with a fabric except for 2 of them.
Bubinga chanter, cherry and cedar drones. The bellows were donated by a friend this is the only item that I did not make.
Indian Red Wood chanter and drones, the deeper colour on the chanter is due to oiling. The bellows I made in 1994 in Lithuania
Bubinga chanter and drones, cedar wood decoration on drones
Cherry chanter and drones, walnut wood decorations on drones
Bubinga chanter, cherry drones with Indian red wood decorations
Indian red wood chanter and drones, cherry wood decorations on drones, cedar wood decoration on chanter
Cedar chanter and drones, this was the first bagpipe I made in Spain in 2014
A leaflet will be given out at the workshop giving contact details and letting people know about other workshop ideas…
“The intension of the workshop is promote the Small pipe tradition to people who have an interest in learning the Northumbrian Small pipes, Scottish Small pipes, Leicestershire Small pipes and other types of bellow-blown pipes. The aim is to provide sets of pipes to develop the student’s playing techniques and offering 3 levels of classes:
The 1st level is the total beginner’s workshop to show the techniques for starting to play.
The 2nd level is a workshop to introduce tunes from the Scottish Borders.
The 3rd level is to teach more demanding tunes and build a varied repertoire.
Within the 3rd level there is the opportunity for the student to buy their small pipes and to continue the classes privately.
(The small pipes in the workshop are made by myself and are of different quality depending on the level of workshop).
To learn more about the musical activities, concerts, lessons and workshops visit my web page http://ethnopiper.blogspot.co.uk or email me at firstname.lastname@example.org”
I have been making ‘small drone parts’ over the past few days. The original plan was only to have bass drones for the workshop, but the small drone adds to the techniques and is an important part in learning how to play. It can be a little difficult tuning a 2nd drone easily and successfully, an out of tune drone is annoying as an out of tune chanter, so tuning ones ear to a harmony can be useful to know.
I am experimenting with woods, mixing them together, joining them together and playing with outer designs. I do like making the wooden parts.
I made another bellow, still trying different techniques out, experimenting with different glues and ways of assembling in a less messy manner.
If I get the time I will use it with the workshop, but at the moment I am finalizing 7 sets and if I can squeeze in an 8th all well and good.
The chanters are being tested to see if they are in the right key. My original idea was to have them all playing in the key of D (a common key for sessions) but after assembling them and testing them out I am finding they are quiet for sessions (due to wood type and reed limitations). So I am forgetting about unifying the chanters in the same key, I will make each of them in tune with the drones so each player can practice by alone (and not as a group).
Thinking more about it this makes more sense as anyone coming with their own small-pipe will be in a different tuning (possibly F, C, Bb, G, A) to my D set, it only takes 1 key difference to make the group sound discordant. I cannot cater for this. It will be easier to ask the student to play alone, and I can see to them individually, and occasionally to get them together as a group for general discussion.
The workshop will not only be “hands on” practice, but informative with maintenance tips, buying guide, types of pipes etc. a general introduction. It is catering for the “person who is intending to own a set of Small pipes in the future”. This workshop cannot give them hours of practice (which is what is needed) it can give them ideas on what to look out for and to suggest the steps to practice when they have their own sets.
I made a “sackpipa practice chanter” by putting my original chanter into a highland bagpipe practice chanter mouth piece. This gives me an opportunity to learn the melodies before applying them to the bag.
Many years ago when I began researching the sackpipa I made a PowerPoint slide show of the melodies I had collected from the internet (mainly from the early version of Olle’s page), I found the mp3 recordings and added them to the slide show. I had intended to learn these melodies one day using the slide show… now is that day. On screen comes the notation and the music automatically plays; as it plays I follow using fingering patterns only, and then I play the melody myself.
The tunes I have been working on so far with any regularity are:
Jag blaste I min pipa (which I have memorized)
Ljugaren (I have memorized)
Sackpipslat efter Jont Lars Olsson (memorized)
Krigsvisa om danskarna (struggling with this one, to remember the melody, it feels a different style in some way).
Steklat fran Sarna (memorized, but the 2nd half creates some mix ups with the finger order)
Vals fran Enviken (memorized)
Visa fran Venjan (I have been playing this one with the C natural just for easiness; the tune requires a C sharp).
Langdans fran Solleron (memorized)
Bjorskottens polska (memorized)
Polska efter Troskari Erik (struggling, due to the polska rhythm)
Gardsbygubbarnas polska (struggling, 2nd half looses me, the polska rhythm and the duplicate notes)
Miller of Dee (memorized)
What a difference a few days make when someone comes and helps with the making. Leila flew over from Spain to help with the sewing of the outer bags; she also helped with other aspects of making. By the end of the 3 days we completed all of the assembly, the finer tasks of clack valves, blow pipes, belts for bellows, decoration on the bellows, a new design for the bellows, and securing the wooden drone parts to the metal sliding section.
What is left to do is to drill and fine tune the chanters against the drones, and complete making the reeds. Last week I was wondering if I could complete everything in time but having someone help and encourage and just to bounce ideas helped get through the mountain of jobs that often overwhelmed me. Sometimes, I just froze due to the amount of jobs still to do.
1 bag had to be discarded due to leaking. It was an old bag, an experiment from Spain. It will be easier to make a new bag with the current method than to try and find the leaks.
The next jobs will be tuning of the chanters and making reeds for the drones. It is the last and trickiest task to do.