New English Concertina CD

I have started a new English Concertina CD, and I have been making some recordings this week and trying out my new microphones. I bought a new microphone for my concertina that has dual heads, 2 mics leading to one volume control. I can attach 2 mics to both ends of the concertina to get a balanced sound. The sound is excellent, not trebly or hissy. I can set a good level on the DAW.

I am playing tunes that I busk with, so they are well rehearsed and it does not take me long to record. The last CD was with a lot of new tunes and the whole process took me a long time to complete. I like the old CD, but perhaps it is not a representative of how I am playing and what I am playing while busking. The old CD was a mixture of Lowland Scots, Northern Spanish and Northumbrian melodies but with this one I am including some Irish into the mix as well.

I will be including other instruments too; the mandolin will be used to add extra rhythm to the melodies, and a bodhran on certain tracks for percussion. I also want to include a track with all instruments together including small pipes. The dominant instruments will be the concertina and mandolin, and the other instruments will be added for texture.

Bandcamp: CDs

I have been re-looking at my Bandcamp site. It takes a lot of time to edit it.

I have re-mastered (as they say) the Border pipes CD “O’er the Dyke” and in doing so, it was like finding a lost manuscript, hidden in my archives. I had to re-understand what I was doing all those years ago while recording that CD, using the equipment I had back then. No such thing as DAWs as today, I used to record using a normal computer and its own sound programme. 2 computers to create 1 CD.

Technology moves so fast and now it is easier to record, edit and publish a CD using 1 computer and 1 programme. It takes a lot of time of course, days, weeks and months… but the actual recording can be done a lot quicker.

I have been working on 2 new CDs.

The 1st CD is of the Northumbrian Smallpipes: looking more closely at the Dixon manuscript, with their complex variations. And also I have been looking at various non-British melodies from Sweden, Spain, Belgium and France.

The reason for the mix of styles is a reflection of the countries that have influenced my music of the past 20 years. A CD has to be representative of what I am playing now, and what I am playing are melodies that are directly part of my life. Since I spend a lot of my time in Spain researching the bagpipe, I play a lot of Spanish bagpipe melodies, and since I visit Sweden I have collected 1 or 2 tunes from there… and so it goes on.

The 2nd CD is a concertina CD, with a doubling up of a mandolin on various tracks. The mandolin I started to play again after 30 years break. These tracks are a reflection of my busking activities in the UK and various duets I have been involved with in Spain. The style also covers a range of UK and Spanish melodies that work on the concertina (not all of them do work!). I had to learn a new repertoire on the concertina recently as one of the notes stopped working, so instead of transferring the existing melodies onto a new pitch, I learned a new repertoire in a different key.

These CDs I hope to have finished in December and January.